Search form

Donate Today

Play Video

Borders & Heritage

Abel Rocha and His ‘Songs of the People’

Abel Rocha, a Mexican folksinger in Seattle, has been called a “keeper of Mexico’s folkloric tradition.”

May 7, 2018

Years ago, I walked into a waterside club for a taco and a margarita and found myself spellbound by the music of a two-person Latin folk band called Correo Aereo (“Air Mail”). The magic was due, in part, to musicians Abel Rocha and Madeleine Sosin’s repertoire of Latin American folk music that I had never heard before and the variety of instruments they used.

But it was Abel Rocha’s voice that really grabbed me, just like it struck longtime collaborator Sosin in the early ‘90s, shortly before they teamed up to form Correo Aereo.

“He has this warm, deep, soulful mid-range,” says Sosin, “and then this cry on top of it — that way of using falsetto, I’d never heard that before and it just cut right through me.”

Abel Rocha performing in his home.
Abel Rocha performing in his home.

Rocha’s voice and musicianship is matched by a deep knowledge of the songs and cultures of the Americas. Correo Aereo’s repertoire, from Mexico, Argentina, Venezuela and Chile, uses traditional instruments like folk harps, cuatro (a small Venezuelan guitar), maracas and jaranas (small drums), as well as violin and guitar.

It is musica popular — songs of the people.

Abel in the 80's
Rocha pictured in the 1980s. While a student in Mexico City, he was influenced by the musicians and composers who found the city a creative refuge after being persecuted by a wave of dictatorships in Argentina, Chile, Bolivia and other countries. 

Abel Rocha, who is Mexican, was a student in Mexico City in the 1970s and ‘80s. He was influenced by the musicians and composers who found in the city a creative refuge after being persecuted by a wave of dictatorships in Argentina, Chile, Bolivia and other countries. Some of the music was neuva canción, songs that protested oppression and championed human and labor rights. But much of it was the traditional songs of workers, be they sung in a factory or about hard life of the farmworker.

Seattle-based musician, educator and producer Antonio Gómez says Rocha knows the songs of the farmer — the worker.

“Whether it’s working in a mechanics shop in a city in South America or if it’s working in an agricultural region, this is the music that creates a soundtrack to life in Latinoamerica.”

“Seattle doesn’t even know that it has this cultural treasure in Abel Rocha, “says Gómez, adding that Rocha is “literally someone who’s a caretaker of the folklore traditions of Mexico, way beyond mariachi.”

Much of the music has deep ties to the land and to nature, and to the uncertainties of life itself.

One song in the repertoire is Milonga del Péon de Campo, by Argentinian composer Atahualpa Yupanqui. A worker on a ranch has an imaginary dialogue with his landlord, the estanciero.

I never owned my own herd

I’ve always ridden on the back of a horse owned by someone else

Once I had a zaino horse, so good that it flew over the grass.

I have a simple life, like the worker in the fields is.

Beat up by endless mornings

Having to get up before dawn

in the midst of rain, sleet or cold wind

Sometimes it hits hard the liver and the kidneys

Another, Zamba de Lozano, describes a place in nothern Argentina where the hills are striped by the colors of minerals, and the longing for love with the arrival of Carnaval and the change of seasons.

“One same song can express the pain, the struggle, the lamento,” explains Rocha.

He continues. “They are rage. Songs are dreams, too. Songs are desires not met in life.”

“Songs are many things, “ Rocha says, “And I shall never stop learning what they are.”


SUPPORTED BY



Stephen Hegg

Stephen is a 25-year veteran of KCTS, producing a wide range of cultural and public affairs series, documentaries and arts programming.  His credits include PIE, Something in the Water  (PBS feature on Seattle’s indie music scene), the gala opening of Benaroya Hall, and documentaries on Asahel and Edward Curtis, Dan Sullivan and Doris Chase.  Seattle-born, Hegg is a graduate of Whitworth University and is also an accomplished violinist and avid cyclist.

More stories by Stephen Hegg

There are 0 comments

Read Comments Hide Comments

Add new comment

Filtered HTML

  • Web page addresses and e-mail addresses turn into links automatically.
  • Allowed HTML tags: <xmp><em> <strong> <cite> <blockquote> <code> <ul> <ol> <li> <dl> <dt> <dd></xmp>
  • Lines and paragraphs break automatically.

Plain text

  • No HTML tags allowed.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Lines and paragraphs break automatically.
As a public media organization, KCTS 9 is committed to presenting a diversity of voices and perspectives through the stories we produce. We invite our readers to participate in an active and respectful discourse through our comments feature. All comments are moderated before posting to our website; if we deem a comment to be inappropriate and/or threatening, it will not be published.
To prevent automated spam submissions leave this field empty.