Something in the Water: Seattle Music Scene (2011)

Something in the Water
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Something in the Water

This 13-minute mini-documentary explores why the Seattle area continues to originate so much great music. (Photo: Jim Bennett)

  • About
  • Trailer & Photos
  • Q&A with Director
  • Music

About the Film

About the Film

"Something in the Water," directed by Ward Serrill (The Heart of the Game), explores the world of two venerable Seattle institutions - KEXP and Sub Pop Records. This documentary features interviews with KEXP’s John Richards and Kevin Cole, Sub Pop's Megan Jasper and Jonathan Poneman, EMP's Jasen Emmons, and performances by "The Head and the Heart," "Macklemore," "Shabazz Palaces," "Pickwick," and more. "Something in the Water" was produced as an accompany piece to "Pearl Jam Twenty".

About the Filmmaker

About the Filmmaker

Ward Serrill has written, directed or produced several feature and short films, including award-winning sports documentary, "The Heart of the Game". He was executive producer for "Wild America", narrated by Sissy Spacek, to generate protection for the last remaining wild lands along the Lewis and Clark trail. He co-directed and produced "Building One House," narrated by Robert Redford about empowering Indian tribes to build straw bale homes on America's reservations. Serrill lives in Seattle and is a tango dancer and harmonica player.

Featured in the Film

  • Macklemore
  • The Head and the Heart
  • Shabazz Palaces
  • Pickwick
  • Tripwires
  • Pat Wright
  • KEXP
  • Sub Pop Records
  • EMP
  • Mike McGinn
Macklemore and Ryan Lewis
Macklemore and Ryan Lewis

"Macklemore and Ryan Lewis" make up the hip hop duo with Ben Haggerty (stage name Macklemore) doing vocals and Ryan Lewis being the producer. Macklemore started his career at Garfield High School in Seattle's Central District and released his first official full-length album, "The Language of My World," in 2005.

Macklemore and Ryan Lewis | Myspace.com

The Head and the Heart
The Head and the Heart

"The Head and The Heart" are an indie folk-pop band from Seattle, Washington. Formed in the summer of 2009 by Josiah Johnson and Jonathan Russell, the band also includes Charity Rose Thielen, Chris Zasche, Kenny Hensley, and Tyler Williams. The band signed to Sub Pop Records in November 2010.

The Head and The Heart Website

Shabazz Palaces
Shabazz Palaces

"Shabazz Palaces" is a Seattle hip-hop collective led by former Grammy Award-winning "Digable Planets" member Ishmael Butler, and the first hip hop act to be signed on by Sub Pop Records. "Shabazz Palaces" has released two EPs, along with their debut full length album "Black Up".

Shabazz Palaces website

Pickwick
Pickwick

"Pickwick" is a garage-soul, “ambient folk”, Seattle-based band, featuring Galen Disston, Matthew Emmett, Cassady Lillstrom, Garrett Parker, and Michael Parker. Their music inspiration comes from old soul records and modern indie, and their songs are written in a collaborative effort, where members share and explore ideas together.

Pickwick | Myspace.com

The Tripwires
Tripwires

"The Tripwires" is a Seattle-based pub rock band led by singer-songwriter John Ramberg, joined by Johnny Sangster (engineer for "Mudhoney" and "The Posies"), Jim Sangster ("Young Fresh Fellows"), and drummer Mark Pickerel ("Screaming Trees") They have released two albums, “Makes You Look Around” and “House to House”.

The Tripwires | Myspace.com

Pat Wright (Total Experience Gospel Choir)
Pat Wright (Total Experience Gospel Choir)

Pat Wright is the founder of the "Total Experience Gospel Choir" in Seattle. Wright moved to Seattle from Texas in 1964 and started the "Total Experience Gospel Choir" in 1973 which originally comprised of students from Seattle's Roosevelt High School and Franklin High School. Wright and the choir has done many hours of relief work for Hurricane Katrina victims and has been featured in ABC News World News Tonight as “Person of the Week” in May 2007 and “Persons of the Year” for 2007.

Total Experience Gospel Choir website

KEXP
KEXP

"KEXP" 90.3 is a non-commercial public radio station located in Seattle, Washington, that started out specializing in alternative and indie rock. KEXP plays a blend of musical styles, from rockabilly to hip hop, as well as public affairs programming and live, and in-studio performances by artists.

KEXP website

Sup Pop Records
Sup Pop Records

Sub Pop Records is a record label located in Seattle, founded by Bruce Pavitt and Jonathan Poneman in 1986. Sub Pop is known for being one of the first labels to shine light on grunge music. Sub Pop first started as a fanzine created by Pavitt in the 1980s called "Subterranean Pop," which focused on American independent record labels. Notable bands that have signed with Sub Pop include "Nirvana," "Flight of the Conchords," "The Postal Service," and "The Shins," all of whom have received either platinum or gold records.

Sub Pop Records website

EMP
EMP

The EMP (Experience Music Project) is a museum dedicated to the “exploration of creativity and innovation in popular music.” Founded by Microsoft co-founder Paul Allen in 2000, it contains rock memorabilia, pop music artifacts, and high-tech multimedia and interactive displays.

EMP website

Jasen Emmons

Jasen Emmons is EMP’s Director of Curatorial Affairs

Mike McGinn
Mike McGinn

Mike McGinn is the mayor of Seattle. McGinn won the 2009 Seattle mayoral election with the support of groups considered to be "political outsiders" such as environmentalists, biking advocates, musicians, nightclub owners, and younger voters.

Mike McGinn | Wikipedia.com

Film Trailer (3 min.)

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Press Kit & Photos

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Q&A with Director, Ward Serrill (5 min.)

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Complete Transcript

What are you trying to convey in “Something in the Water”? How did you get involved with the project?

Ward Serill: Yah, It’s called “Something in the Water” and Stephen Hegg here at KCTS got in touch with me and PBS needed a short program to follow the "Pearl Jam Twenty" documentary by Cameron Crowe, so my idea was, well, he’s probably going to do really well on the past and what would it be like to do a little featurette on the Seattle music scene today.

You open and close the documentary with Pat Wright of the Total Experience Gospel Choir. Who's Pat Wright?

Pat Wright with the "Total Experience Gospel Choir" was the first person I thought of because the piece is called "Something in the Water" and I thought of this old spiritual called Wade in the Water and at the same time ah would Pat be willing to do that and to me Pat is the history of Seattle music not only going back to Quincy Jones and the Jazz era and Jackson street and Ray Charles and all that, but she’s played with "Soundgarden" and today continues to make amazing music.

There's a huge emphasis on KEXP in the film. Talk about KEXP. What makes them unique?

When I thought about the program, the first thing that came to my mind was KEXP and because it’s such a special independent radio station and there’s not many of them in the country. KEXP is probably the reason, one of the main reasons why Seattle’s music scene keeps being so potent and so ongoing. So what would it be like to make film that goes inside a radio station, maybe one of the top radio stations in the country and see how it ticks and who are some of the people there and how they get local music out day after day.

How do you think the internet has helped them [KEXP]?

One of the things that has made KEXP such a potent force in independent music is their internet broadcast. I think they are among the top terrestrial based radio stations around the world in terms of listenership - meaning that there’s people all over the world over the internet hearing their shows and they do these podcasts of their in-studio performances. One of the reasons I really was excited about KEXP was not just cause they’re a radio station but that they bring in all these bands, singers, musicians from Seattle to perform live in the studio, so I said wow here’s a way to not only get into the radio station but actually hear and meet some of the musicians in Seattle.

Tell me your personal impressions of KEXP.

My main impression of being at KEXP was how passionate people are there about music and local music and people have fun there. I didn’t meet anyone there that just didn’t absolutely love their job. and you can tell in that small beehive area there was so much going on and there was an energy of joy around music and getting that out into the world.

Speaking of "Nirvana" and the Seattle grunge scene, where were you during the Seattle grunge scene?

Where was I during the Seattle grunge scene... Before the Seattle Grunge scene I was an accountant wearing a three-piece suit riding up and down the boxes of downtown Seattle as strange as that might seem. And actually during grunge itself I was up in southeast Alaska because I ended up going up to work in a Native Indian village up there, so I was actually in Alaska during the Grunge Scene, so I’d come back and hear what was going on at the clubs and all, but I was out in the wilderness.

You visited Sub Pop Records in downtown Seattle - what were your impressions of them?

Sup Pop as people say in the show may be the most important independent record label in the country and is so synonymous with Seattle music and grunge music they were the first label to launch "Nirvana and to this day they are the label handling most of the big acts out of Seattle - whether that’s "Fleet Foxes," "The Head and the Heart," or "Band of Horses." Sup Pop was not only relevant back in the grunge era, because they were the first to release Green River" and "Nirvana," and "Mudhoney," so they’re still happening in Seattle and maybe relevant now more than ever.

You interview "Head and the Heart" in this piece, where did you shoot their interview?

"The Head and the Heart" interview was actually in the loft studio up on Capitol Hill because they were about the perform at the Capitol Hill Block Party.It was a second story loft in there. We couldn’t believe the light and background... that was the most ideal interview place and they were a kick to work with.

Let’s talk about local hip hop. What did you think of Shabazz Palaces and Macklemore?

So we've talked about the pop music scene in Seattle, but forget that the hip hop scene here is really vibrant - with "Sir-Mix-Alot," The Blue Scholars... Shabazz Palaces is doing stuff from outer space, I mean it’s just amazing, but the biggest revelation for me in this film was Macklemore and Ryan Lewis. I was really tired that day... it was like another 14-hour shoot day and it was the end of the day and Macklemore was in the studio and all of sudden I heard this sound come out and my whole body just sat up and pretty soon I was feeling energized and wonderful. There’s so much joy coming out of him and his group. I really didn’t know Mackelmore before this piece, and now I’m a fan.

Were there other artists who stood out to you while shooting this documentary?

The groups in this piece involved Pat Wright in the "Total Experience Gospel Choir," on top of Gas Works Park is "Tripwires" - an amazing group that had a lot of history in early Seattle rock-n-roll, and "Pickwick," "Shabazz Palaces," "The Head and the Heart," "Macklemore and Ryan Lewis."

The band that I was trying to into this were the "Fleet Foxes," but they were on tour at the time. I also wanted to get "Mudhoney" and they were on tour at the same time, and "Death Cab for Cutie" and they were also on tour 'cause it’s the summertime, so it was tough... we actually had to film in one day in KEXP so it was hard to coordinate all the schedule.

If this film could be longer than 13 minutes, how would you have done it?

This piece could’ve easily been a much longer, deeper richer documentary -- in fact our first cut was 30 minutes longer and I was like oh my gosh we have to get this down to 12 minutes and 45 seconds, so we trimmed and trimmed and trimmed. Look, the Seattle music scene is so rich you can go off with Pat Wright and the Gospel scene, the whole jazz scene in Seattle would be an amazing exploration. There’s hip hop, there’s what’s the next upcoming band and then what’s going on over there with KEXP on an ongoing basis. and the club scene and the independent record stores, there’s a lot happening.

"Something in the Water" is airing nationwide after the PBS premiere of "Pearl Jam Twenty" - What do you know about Cameron Crowe's "Pearl Jam Twenty"?

My research for this began with getting a hold of the Pearl Jam folks and saying can I see this documentary, can I see "Pearl Jam Twenty"? Because I’m going to be making a piece following it, so I went out to their place and they graciously let me see a rough cut and I was stunned. I think it’s one of the best top 10 music films I’ve ever seen. It was incredible. It also showed me what follows it had to really kinda come in strong, because the Pearl Jam piece is really dense and kind of explosive and... I wanted to make something people wouldn’t want to tune out afterwards.

So what’s next for you?

I’m working on two documentaries right now. One is called "Tree Story" which is about the connection people have to a particular tree in their life -- looking at a tree from every conceivable angle. And then the second one is called "The Boy Who Sang to the World" which is a feature on a scientist and sound healer from Orcas Island called Tom Kenyon, so that’s what’s happening.

Comments

12/17/11

wow.... seattle continues to produce some of the great musics ever. I really like this album but i wanted it to be at least 30 minutes instead of 13 minutes. :)
Awesome guys

12/16/11

Well, I think John Richards is great. Yeah, some mopey stuff, but nothing wrong with that IMO; and he plays a much, much more than that. Other KEXP DJs are great too. LOVE the Sonic Reducer and Seek & Destroy shows too. I don't like everything I hear on any KEXP shows, but if other people like it, that's cool. I'm not going to crap on them because they have different tastes. I'm just glad to live in a city were there's a lot of great music around me.

11/02/11

That's a good point! It needs to be longer! SOLUTION! But don't assume I don't support public tv. I do. Start beating the drum for an expanded mini doc series and get a better online name for crying out loud. Stop being boring, dude. ;)

10/25/11

Awesome mini doc, really enjoyed it. Nice work, reposted here:
http://www.discjockeynyc.com/

10/25/11

"Oh, hey. Someone made something cool about Seattle that features a few current, relevant acts from our scene!"

"Oh, they didn't feature my favorite bands. This obviously must suck and here's why."

10/23/11

If the Head and the Heart and Macklemore are representative, then the current Seattle scene is asleep and horrid. But it's not.
It's just that hard rock isn't allowed in America anymore. Kane Hodder was a great, great band with pretty uncommercial vocals, but
they broke up, oh well.

When they interview Poneman, you can almost see the sadness in his face. He knows he's just following trends now. He must like the old hard stuff, but you can't sell that, because navel-gazing dork acoustic pop (it's a joke compared to legacy country and folk, generation weenie) is all the rage. That, and gag, hip hop. Eminem took that job and noone can touch him. No Seattle poser is going to break into that gig, but Mackerel has got YT vids over a million. Wow, the public taste is really terrible.

10/27/11

Could not agree more. You hit it on the Head(and the heart) It's like the scene was hijacked and was slowly overtaken by hipsters with acoustic guitars and beards. If you don't have either and 5+ piece band, they won't even look in your direction.

10/21/11

Lame. That didn't even touch upon the diversity of this scene. Only the trendy crap John Richards plays. MOpey, mope, mope. Where's the Helms Alee? Akimbo? Poor representation of a vibrant scene.

10/27/11

There are always those out there that think their opinion matters most and if the world doesn't agree, then everyone else sucks. They wallow in their negativity... has it ever bettered your life to rail against others rather than just be happy with what you personally love? Richards has introduced me and countless others to music that we would have never heard otherwise. I can't image the world without KEXP; they do great things for bands, fans and the community. What do you do besides complain?

11/01/11

Hey WookieGetaLife (could you be a bit more creative?), Richards is a trendy bore. If that is what you dig, then so be it. However, this doc didn't even scratch the surface. Let me introduce your narrow view to some new jams by Helms Alee, Sandrider, Monogamy Party, Smooth Sailing, and Akimbo. Go buy it now. And by mentioning the fact that I am dissing on KEXP just shows you are kinda dumb. I love Sonic Reducer, Seek and Destroy, and much, much more. I just think Richards, well, sucks. If you rely on that mopey mope, then you truly need some help. I suggest beer. Sorry if I hurt your feelings. Well, not really. Go write a mope song.

11/02/11

Newsflash: KCTS was only allotted 13 minutes by PBS to present a story on Seattle music. Of course it's not going to be able to go very deep! If the doc were to be expanded into a series, then yes, they could go much deeper. Maybe if they had more support from viewers like you, they could make that happen. ;)

11/02/11

11/02/11

That's a good point! It needs to be longer! SOLUTION! But don't assume I don't support public tv. I do. Start beating the drum for an expanded mini doc series and get a better online name for crying out loud. Stop being boring, dude. ;)

11/03/11

I assume nothing, just encouraging generosity :)

11/03/11

:) That's the way, man. Psssst, like the online name. Improvement can never be criticized!

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